Steve Husted: portrait artist?

HOLY CRAP this was a hard painting to do. I spent a little over 3 hours just on the oil painting. That’s more time than I’ve spent on any one painting since I started painting again in September.

Phew!

This portrait is of Rajashree Raghavendra, and is for the Different Strokes for Different Folks (DSFDF) painting challenge blog that Karin Jurick hosts. It’s a lot of fun and very challenging and, for me, can be pretty stressful. She painted me.

By the way, I should say that, yes, I am available for commissions if you so happen to see this painting and think you’d like to have one done for you or a loved one. Or a despised one; makes no diff to me.

I was going to take a bunch of pictures as I went through the process but I got sucked into the painting and next thing you know, it’s 10:40pm and the wife is headin’ off to bed and I’ve still got at least an hour of work to do.

Here’s the reference photo and my painting. Please note that I tweaked the ref photo for brightness and contrast and saturation a bit. It was dark when I got it. Also note that my painting was photographed in my kitchen under fluorescent lights (it is just about midnight so I’ll have to get the full sunlit painting tomorrow, hoping the weather permits) so it’s not really representative of the work (it’s brighter than this). Edit: got a picture outside – it’s overcast but the colors are definitely coser to reality. Not exactly, but pretty close.

PORTRAITraj_portrait_dsfdf

Okay, okay, enough blathering, here’s the process for this painting:

  • Started with drawing in graphite pencil, made it permanent with fixative
  • Came in with the gray background and outlined the face and laid in the major landmarks
  • Came in with darkest darks (always scary at this point!)
  • tried mixing up the darkest flesh tones – took me probably 5 puddles of paint before I got color/value I liked
  • laid in the dark flesh tones, followed by the mids, and came back through with the lights (bright yellow, not pure white)
  • Worried over the mouth. I ended up getting it pretty good. Note: I don’t paint teeth. I paint a grayish yellow area with a darker shadow and a black line at the top
  • Freaked out over the eyes, so I blobbed some black outlines, black pupils, and dark gray “whites” to set it in. Left it at that for a while
  • Came back through to get the reflected lights. Could have done better on the nose but the paint wasn’t agreeing with me. I need better brushes.
  • Scarf/hair laid in
  • Used a palette knife (the sharp edge) to scratch in some gray hairs. Sorry, Raja, but they’re there so I put ‘em in!
  • Re-did the glasses shadow like 4 times. It’s a purplish pink flesh tone and was hard to get. I ended up adding some Burnt Sienna to get it to look right in the painting
  • Worked on the eyes like a freak
  • Decided to go with an “unfinished” look. I like that look. Also wanted to include some blue in the shirt for unity (there’s blue in the hair and a touch of green in some of the flesh to “gray” out the red)
  • The part in the hair gave me some trouble but I think I nailed it
  • Finished the eyes. Again.
  • Came through with some highlights and a smaller brush
  • More eye work
  • Used the palette knife to suggest glasses rims – a black line and a gray line, top and bottom
  • MORE eye work – reworked most of the eyes and liked them better
  • Reworked the neck to make it darker and to add the single brush stroke for the entire lit side (I like when I can get something done in a single stroke… of course, it took like 8 strokes before that one to get the right color/tone)
  • Finishing touches, ensuring I didn’t miss anything
  • Finished up eyes with highlights on lower lids and “alive” highlight on pupil
  • Put the earrings in (they’re grey, believe it or not)
  • Done!

Tags: , , , ,

  1. Vern’s avatar

    Really great painting Steve. You captured her warmth and saved that smile beautifully. And quite an elaborate blow by blow…very interesting.

  2. kaylyn’s avatar

    Steve, this is a great little painting. I’m happy to see someone else using photoshop to explore the colors and shapes. I felt like I was cheating, but I figure its my painting, I’ll do it how I want to!! I hadn’t done any painting for many years (since before we even had computers…I think I may be old, but I’m not sure) and am finding the digital dialog between painting and looking at the progress on the computer is really informative.

    Look forward to seeing more of your work!

  3. Kelley MacDonald’s avatar

    Wow Steve – you did a fantastic job – agony or no agony! One of my favorites from this Challenge. :) You GO! And have a Happy New Year.

  4. shuste73’s avatar

    re: Vern: thanks! I think it helps other artists to illustrate struggles along the way. I think some people think that good painters never struggle.

    re: kaylyn: I am frequently hesitant about using Photoshop or other tools. I’m even hesitant about tracing my own charcoal drawing to canvas using carbon paper. But, you know what? The drawing disappears beneath the paint and you mix up the colors and decide what to take out and what to leave in. They’re all tools, so use them!

    re: Kelley: thanks! I waited and waited because I was afraid to not do a painting as great as several other artists. But I’m glad I stuck to it and I’m glad you like it.

  5. dominique Eichi’s avatar

    wonderful portrait for DSFDF. You definitively did a lot of research and exploring before starting this piece. Wow !

  6. Sharon Margolies’s avatar

    Superb job on the dsfdf portrait. I enjoyed reading your very descriptive process of painting from start to finish. It makes me think I should do more of the same on my blog. I think writing it down would help to improve one’s work on the next project.

  7. Liz Holm’s avatar

    Goodness, you did a lot of prep work for this with phenomenal results. Shows hard work and attention pays off. Wonderful portrait for the challenge. Agree with you about using whatever tools you can. Still nothing replaces practice and seeing. Fantastic work.

  8. shuste73’s avatar

    re: Liz: yes, I agree, nothing replaces practice and seeing. However, I’ve been drawing portraits for about 20 or so years now. If one hasn’t had the practice, one should definitely do some more drawings. For the tight time frame, I wanted to focus on the process and challenges of painting in oils, which I’m relatively new to and I don’t have much practice. I’m struggling to get my tones correct so that’s been my focus. I’m also still struggling with actually applying paint over paint without making a huge mess. *sigh*

  9. jill polsby’s avatar

    Loved your painting on the Different Strokes challenge. Such fun it was to paint unknown new friends. You did a wonderful job and I really liked your explanation of the process. It helps all of us understand a bit more about the painting and what’s going on in the artist’s mind. Best of luck in 2010!

  10. Terri Buchholz’s avatar

    Wow – you should just rewrite that blog with some chapters and a few more pictures and publish a great “how-to” book. I feel like I’ve just taken a class! I’m a computer-nimrod, but you really make me want to learn how to use my photoshop and illustrators programs. What I really wanted to say is that your portrait was lovely and fresh, but thanks for all the rest as well! Hope you remain healthy into the new year and wash your hands a lot. It’s a petri dish out there.

  11. Rajashree’s avatar

    Wow.. thnks a ton!! its my portrait
    i really enjoyed readin thru the procedure.. and i feel so honoured u tuk so much effort to get it rt :)
    i hope u too enjoyed my work wid oil pastel..

  12. jill polsby’s avatar

    Steve: I’d love it if you sent me your email address. I have a wonderful idea about the portrait challenge. jill polsby polsby@yahoo.com

  13. shuste73’s avatar

    re: Rajashree: yes, I did enjoy the portrait you did. I can never get oil pastels to look very good, so that’s impressive to me that you can.

  14. Bobbi Heath’s avatar

    Really really nice, a lovely portrait and a great likeness. I love what you call the “unfinished look”. Thanks for the detailed process and prep description, most interesting!